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From Ethnographic Film to Cinema: The Availability and Accessibility of Indigenous Films in Taiwan (96469)
Session: On Demand
Room: Virtual Video Presentation
Presentation Type: Virtual Presentation
Historically marginalized and stereotyped, Taiwan's Indigenous communities have increasingly asserted their identity through ethnic media platforms such as Taiwan Indigenous Television (TITV) and the Taiwan International Ethnographic Film Festival (TIEFF). This study explores the evolving landscape of Indigenous cinema in Taiwan, emphasizing the crucial concepts of availability and accessibility. Employing the theoretical framework of "Fourth Cinema", articulated by Māori filmmaker Barry Barclay, this research examines whether Taiwan's Indigenous films align with Barclay's vision—a cinema fully controlled by Indigenous creators, expressing authentic cultural identities, and fostering mutual understanding both within Indigenous communities and broader audiences. To illustrate the transformation of Taiwanese Indigenous cinema from ethnographic documentaries to critically acclaimed feature films, this paper analyzes works by prominent Indigenous filmmakers such as Pilin Yapu, Mayaw Biho, and Laha Mebow. Despite substantial advancements in media technology enhancing film availability and accessibility, Indigenous filmmakers still encounter significant challenges regarding authentic representation and narrative autonomy within mainstream media. Drawing insights from focus group discussions involving both Indigenous and non-Indigenous participants, the study emphasizes the critical roles of sincere intent, comprehensive community engagement, and culturally sensitive storytelling practices. The findings highlight the necessity of Indigenous control throughout media production, distribution, and exhibition processes, aligning closely with the core principles of Barclay's "Fourth Cinema." Ultimately, this research concludes that while Taiwanese Indigenous cinema has made remarkable progress toward authentic representation, sustained efforts and continuous dialogue remain essential to ensure these narratives are genuinely portrayed and broadly appreciated.
Authors:
Yuan Hsun Chuang, China University of Technology, Taiwan
About the Presenter(s)
Dr Yuan Hsun Chuang is a University Assistant Professor/Lecturer at China University of Technology in Taiwan
See this presentation on the full schedule – On Demand Schedule
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